Gina Rinehart Australia billionaire requests portrait removal from the National Gallery of Australia (NGA) by renowned Aboriginal artist Vincent Namatjira. The reasons for this request are not explicitly stated, but the portrait has been described as “unflattering” by both the Guardian and the Sydney Morning Herald.
The Controversial Portrait
Namatjira’s portrait, which depicts Rinehart with pinkish skin, exaggerated chin folds, and a downturned mouth, is part of his retrospective currently on display at the NGA. The painting is one of nearly two dozen works that traveled from the Art Gallery of South Australia in Adelaide. Known for his distinctive style, Namatjira made history in 2020 as the first Indigenous artist to win the prestigious Archibald Prize for portraiture.
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Rinehart’s Request and the Gallery’s Response
Rinehart, who is a significant donor to the NGA and the chairwoman of Hancock Prospecting, personally asked NGA director Nick Mitzevich and NGA chair Ryan Stokes to remove the portrait in April. Despite her request, the NGA declined, emphasizing the importance of public dialogue on their collections and displays.
Rinehart’s request has sparked a debate about the role of art and the responsibilities of influential figures in the public eye. Some have criticized her for attempting to control artistic expression and for not understanding the critical nature of art. Mark Di Stefano, writing for the Australian Financial Review, suggested that Rinehart wants the benefits of her wealth and power without accepting the accompanying scrutiny and satire.
Background on Rinehart and Hancock Prospecting
Gina Rinehart amassed her wealth through the mining industry and has been a prominent figure in Australian media due to various controversies. In 2022, she withdrew funding from a netball team after an Indigenous player objected to the Hancock Prospecting logo on their uniform. Recently, associates of Hancock Prospecting accused the NGA of “doing the bidding of the Chinese Communist Party,” although Rinehart herself has expressed favorable views towards the Chinese government.
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Conclusion
The NGA’s decision to retain Namatjira’s portrait highlights the institution’s commitment to artistic freedom and public engagement. As the debate continues, it underscores the tension between private influence and public cultural institutions, and the essential role of art in fostering dialogue and reflection.
